Diana Ross and Truman Capote Danced Around This Paparazzi

NY Magazine’s “The Cut” talks about Gene Spatz’s part in preserving the 1970s club scene on film: “His lens captured both everyday urban goings- on and the raucous fashion fantasia of club-scene spots like Studio 54 and Xenon, filled with dangly earrings, deep slits, shimmering fabrics, and big bow ties.”